Among the broadcasters making the transition to a file-based workflow, FXUK/National Geographic Channel has found Dolby’s DP600 Program Optimizer key.
Since the merger of FXUK and the National Geographic Channel, there has been an increased requirement for HD work and deliverables – from various sources in varying formats for both VOD and direct to broadcast programming – for UK Director of Operations and Technical Facilities, Simon Brett.
‘It can be challenging working across different technologies in different countries, so we wanted to come up with an effective way to tackle this,’ he explains.
Supplied by HHB Communications and programmed with preset folders by Nikki Kalsi (HHB Manager, Broadcast & SI Sales), Brett’s DP600 has become an essential part of the toolkit used by the company’s audio engineers: ‘Decoding Dolby E files and physically outputting to tape and sending and receiving discrete tracks and M&E files involves time and manpower,’ he says. ‘Since implementing the DP600 system our productivity has improved two-fold. It was a turning point for the operational side of the company and has since become an essential part of our toolkit for everyday workflow.’
Designed for use in cable, satellite, IPTV, terrestrial TV, radio, and postproduction, the DP600 provides the ability to encode, decode, and transcode the broadcast media files and audio formats in use today, including MXF. It also features an audio analysis and automated loudness normalisation engine, plus an optional algorithm for upmixing two-channel audio for 5.1 delivery.
Recently, the DP600 was invaluable in serving a ‘first-of-its-kind’ iPad app to accompany the launch of The Walking Dead season two. The ‘Walkers Kill Count’ app required a complex audio watermarking processes, and its development was facilitated by the DP600 system.
‘The app is driven by audio watermarks that trigger the iPad in association with sounds on the show,’ Brett confirms. ‘The triggers can only be created using non Dolby E encoded, discrete audio tracks, so the DP600 was the only answer,’ Brett says. ‘When the tracks came back with watermarking in them all I had to do was sync them with the pictures, export my 5.1 audio as six mono WAV files and then drop them into the DP600 to create the master file.’
Brett finds that the DP600 simplifies these and other complex daily processes without any audio degradation. Its intuitive interface softens the blow for audio engineers who are reluctant to move into the file-based world. Brett explains that these engineers are now happy to work in the new format: ‘Dolby’s DP600 has changed the way a corporation of our size operates by delivering materials and files quickly and of the highest quality. There is definitely no going back.’
More: www.dolby.com
More: www.hhb.co.uk
