Held annually since 2011 in the town of Ort in Northern Austria, the Austrian Woodstock of Brass Music (WoB) has earned its reputation as the largest open-air brass band festival in Europe. Drawing inspiration from its legendary American counterpart of 1969, this four-day extravaganza pulls in more than 80,000 music enthusiasts to witness the performances of 130 bands, spanning traditional to contemporary brass music. Notably, since 2015, the festival’s highlight has been the Ensemble Playing that unites a staggering 20,000 musicians.
This year’s event saw Austrian recording studio tonzauber take care of the twinned main stage with its own recording/OB truck. The heart of the vehicle’s audio equipment is a Lawo mc²36 MkII audio mixing console with integrated processing.
With its A__UHD core technology, it offers 256 processing channels available at both 48kHz and 96kHz, suiting it to even the grandest orchestral productions. The all-in-one mixer natively supports ST2110, AES67, Ravenna and Ember+ protocols. With up to 864 channels and local connections, the mc²36 MkII offers extensive connectivity.
‘This year we recorded 35 bands over four production days, with 16 of these performances broadcast live on TV and radio by Austrian public broadcaster ORF,’ says Georg Burdicek, sound engineer and founder of tonzauber.
He explains the logistical intricacies of the twinned main stage: ‘One of the stage’s two sections is always active, with just a five-minute break between concerts. As both stage units were served by a single OB truck, meticulous preparation was key.’
Efficiency was paramount during the festival, with a dedicated team of three ensuring everything ran smoothly. One team member gathered information to enable quick and purposeful adjustments to the line-up and channel assignments, while two colleagues took turns at the mixing console.
The mixer configuration was designed to allow permanent fader assignments to each twin section of the stage, while all channels could be accessed independently from the main console via an extended mx GUI. This set-up facilitated live mixing of one band while preparing the next, encompassing tasks from channel labeling to line checks using PFL2, with monitoring through a Merging Anubis at the second workstation.
‘The Lawo mc²36 MkII handled more than 140 channels simultaneously without a hitch,’ Burdicek reports. ‘Signal transmission from the main stage relied on optical Madi, with one stream per stage and, for some bands, a Dante stream. The stage-side frontend utilised a DirectOut Prodigy.MP complemented by two Lawo A__Mic8s for various additional atmospheric microphones and analogue backup feeds.’
‘The Lawo mc²36 MkII consistently proves itself as an indispensable tool, meeting the most demanding requirements for top-tier recordings and broadcasts of concerts and festivals, such as the Woodstock of Brass Music,’ Burdicek concludes.
More: www.lawo.com
