APG has announced the Uniline Max UM210 line array, a high-performance system designed for large-scale events and concerts, and accompanying UM121 subwoofer. Both boxes claim ‘exceptional audio clarity and power’ for audiences of up to 10,000 people.
The system’s ergonomic design ensures that the boxes are easy to handle, with rear and side handles for easy transport and a flexible rigging system that supports both tension and compression configurations. This allows the system to integrate into any stage environment.
The Uniline Max also incorporates several innovative technologies, including the patent-pending Sigma waveguide, which ensures optimal coupling between speakers, maintaining precise sound quality across diverse environments. This technology makes the system adaptable to any stage setup while delivering consistent audio performance.
Sigma allows speakers of any shape to be designed without sacrificing acoustic performance across a wide range of coupling angles between speakers. The same method allows configurations suited to long-throw line source speakers with low coupling angles or a constant curvature system with limited throw but significant coupling angles. This method ensures that the Uniline Max delivers a consistent sound signature, regardless of the angle.
The APG UM121 subwoofer is loaded with a 21-inch driver in a hybrid enclosure. It employs a bass-reflex configuration at the rear with a profiled port, optimising lower spectrum. The subwoofer is designed to be used on the ground or suspended, with dedicated accessories enabling its use below or alongside the UM210 line array.
‘APG is committed to continuous innovation in electroacoustics to convey the artists’ emotions to the audience,’ says Arbane Groupe Marketing Director and Sales Director, Eric Grandmougin. ‘With the launch of the Uniline Max line array and UM121 subwoofer, we aim to reconnect with the French and international audience in touring and live events. We strongly believe these products will offer a timely solution to the needs of the live performance market in today’s economic environment.’
