Maintaining the historic tradition of puppetry in the Czech Republic, the Alfa Performance Art Theatre in Pilsen opted to improve the audio experience for fans of the art. Turning to the region’s primary AV distributor, AudioMaster CZ, the theatre management agreed an upgrade of the venue’s 20-year-old sound system to bring greater flexibility and a higher level of performance, to be installed by local A/V integration firm, Audio Kropik.

The new system features numerous state-of-the-art technologies, including integrated DSP, web connectivity and advanced audio networking – all supported by Dante Connect Series amplifiers from LEA Professional.

Founded in 1963, the Divadlo Alfa performance art theatre (known locally as The Alfa) is a 232-seat venue specifically designed for puppeteering. Focused initially on performances for children, the theatre company evolved to present many genres, including classics such as The Three Musketeers and original, modern productions for adults that focus on sophisticated parodies of current social issues. The company has ten puppeteers who produce more than 220 performances annually. The theatre also organises and hosts a puppeteering festival each year.

Alfa Performance Art Theatre in Pilsen AudioMaster CZ received a call from the theatre sound engineer explaining problems with the old system, and requesting a complete new system design. The team then worked with Jan Zvánovec, from Audio Kropik to bring the design to life.

‘The theatre’s sound engineer was having big issues with the existing system,’ says Audio Kropik Project Manager, Jan Zvánovec. ‘We met him on site and discovered speakers that were not working and older amplifiers that were deteriorating and beyond repair – the system had simply reached its end of life.’

The theatre would need to replace all the defective units, but with the age of the system, it was only a matter of time before the other components failed. Theatre management and the Audio Kropik team decided that it would be easier and more cost-effective in the long term to redesign and replace the entire sound system.

‘The client decided to take this opportunity to not only repair the system but to also greatly improve its performance,’ Zvánovec says. ‘They wanted to upgrade to a modern, clear, high-quality sound; and they needed it to be more flexible and easier to use. They also wanted new loudspeakers that would better blend into the theatre visually.’

The team began a search for system components to fit these requirements and the limited available budget. A critical specification was to find high-quality, multichannel, audio-network-ready amplifiers that were affordable but could also deliver the power needed. Additionally, the Alfa had a small window of time available for the project to leave its busy show schedule uninterrupted.

Upon the recommendation of a colleague at AudioMaster CZ, Zvánovec decided to give LEA Professional amplifiers a try. ‘I had not used LEA amps before, but they seemed to have all the features we were looking for, at a good price, and they were available,’ he says. ‘The amplifiers’ cloud technology, built-in DSP, and preset features were also very interesting; I wanted to see what these amps could do.’

The team upgraded the theatre system with a set of three Dante Connect Series amplifiers. Two LEA CS354D, four-channel amplifiers now power the upper and lower, left, right, and centre main speakers, and an LEA CS704D four-channel amplifier is used for the subwoofers. The new loudspeaker system comprises nine JBL AE Compact Series loudspeakers. A Yamaha DM2000 digital mixing console, equipped with a Dante network card, communicates directly with the LEA amplifiers via the Dante audio network protocol.

The LEA Connect Series is the world’s first IoT-enabled, professional-grade series of amplifiers. With three ways to connect, system designers can engage the Connect Series’ built-in WiFi access point, connect to the venue’s Wi-Fi, or use the Ethernet to connect to any local area network via Cat5 or Cat6 cable. The Dante Connect Series also features analogue inputs, Dante inputs, and external I/O control for remote on/off and fault monitoring.

‘The amps’ built-in Dante technology made for an extremely simple connection between the mixing room and technical room; everything worked on the first connection, and we have a lot of flexibility for easy, future upgrades,’ Zvánovec says. ‘And there is also no need for external speaker processors because everything is managed by the DSP that’s built into the LEA amps. These features alone saved the client a lot of money and time.’

Using professional audio amplifiers with built-in DSP has become the standard practice for many A/V system installers. DSP-powered equipment can do more with less, and therefore installers don’t need to buy, install, or maintain dedicated DSP equipment. Integrated DSP frees up critical rack space and reduces system weight. All the input routing, room tuning, speaker tuning, and limiting are built into the amplifier, so equipment racks are smaller, lighter and cleaner.

‘All the connectors and features of the LEA amplifiers are very logically arranged and well-engineered; the manufacturer thought of everything from the installer point of view,’ Zvánovec says. ‘Setting up the amplifiers with a web browser is great, and we created several presets and stored them in the amps so the client can easily change the settings. Finally, no complicated installation and setup of applications; it was all very quick and easy.’

The LEA Web User Interface (Web UI) allows users to view the status of every channel on any given amp to quickly monitor channel performance, including data such as an output meter with a clip indicator, status indicators, as well as a quick attenuation level view and channel mute button. With the Web UI, users can also adjust channel settings.

‘Upon first hearing the new system, the client was extremely impressed in that the system sounded so much clearer and better than they had expected; this is thanks not only to the new speakers but also thanks to the powerful, natural sound of the LEA amplifiers,’ Zvánovec reports. ‘I’m glad we had this opportunity to learn about and try the LEA amps; we’re definitely adding LEA to our list as a preferred amp supplier for future projects.’

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