South African audiovisual production specialist Sound Stylists recently invested in two Yamaha PM3 Rivage consoles, having had the opportunity to test them as part of a networked audio solution at the Samsung Galaxy Move Festival, hosted by radio station 947. The consoles were supplied by Stage Audio Works (SAW), who were on-hand throughout the festival to offer technical support.
‘We were already aware of the Rivage platform, but simply didn’t have the need for it at the time,’ says Sound Stylists Director, Kevin Glover. ‘Recently, we were doing some research into new desks and were impressed to discover the Rivage surfaces all spoke to the same DSP – the fact that you can run two surfaces on a single DSP was an attractive concept, as it allows us to double our fader count as required.
‘The DSP can also be run on its own, mirrored for redundancy or upgraded from the base 140 channels to an impressive 280.
‘What swung it was the ease of integration with our current systems with its Dante compatibility. The technology slots nicely into our existing Rio racks and obviously plays nicely with our Yamaha QLs and CLs, making it a smooth and cost-efficient transition.
‘We considered a number of brands; as a rental house, we are not partisan,’ Glover adds. ‘However, we find that Yamaha offer a comprehensive array of products that are all interoperable, which works really well in the rental environment. The PM3s are flexible in every sense of the word. They are compact, light, and have a high channel and bus count as well as stellar effects and processing power. All of this is underlined by the rock-solid reliability that is typical of Yamaha. They also sound phenomenal.’
The first major test for the two consoles was at the Samsung Galaxy Move Festival, an annual event that takes place at Prime Park in Olifantsfontein over the course of two days and boasts a line-up containing some of the best South Africa has to offer.
Sound Stylists were involved in every aspect of the festival, from stage design to the provision of the audio system and production. The original audio system design placed the two PM3s at FOH, with a CL1 between them providing feeds to the subs, outhangs and front fill. 60 channels were dedicated to the various effects required for each band, which were all run off Rio 32 Channel Dante Racks, and they all performed soundchecks and had their settings saved prior to the event.
But unforeseen circumstances spurred a change in direction: ‘We experienced a lot of bad weather leading up to the concert, resulting in moisture interfering with our CL5, which was on monitor duty, rendering it inoperable,’ Glover reports. ‘Fortunately, we were able to replace this with one of the PM3s, and as the desk is really intuitive, the monitor engineer was able to get everything up and running quickly. Most of the saved information had to be rebuilt, but we managed to resolve this in time. All’s well that ends well.
‘Not one of the engineers that mixed on the day had anything negative to say about the desk. Every single engineer embraced the platform and all of them worked their way around the desk with minimal effort. Jonathan Charles from SAW was on hand for the Friday sound check as well as the concert and he was brilliant in assisting the engineers with any queries.’
‘We’re proud to have supplied Sound Stylists with two new PM3 Rivage consoles which will serve them well for years to come,’ says SAW CTO, Nathan Ihlenfeldt. ‘Samsung Galaxy Move Festival is a significant occasion for a lot of South Africans and it’s great that we could play a part in that too, even if it was in a support capacity.’
