An outdoor concert in Times Square saw Maximo Park bring their high-energy live show to Newcastle recently – along with a Midas Pro1 for front of house mixing duties.
‘For Maximo Park, you’ll notice that the instruments sound more analogue and the vocals a little more on the side of digital,’ says Andy Hawkins, the sound engineer responsible for all things sound for Maximo Park. ‘That’s just to get that clarity and differentiation between sounds and it all comes from the preamps and digital trim. The preamps are spectacularly good and very reminiscent of the quality of preamps in the XL3/4. This is my FOH console of choice now and it’s why I’ve purchased one – I don’t have to rely on anyone or anything else.’
Hawkins routes the Pro1 to a DL251 on stage via Cat5 cable. A Klark Teknik DN9650 is connected to a PC for virtual soundcheck and playback and a DL153 stage box is routed to some outboard equipment. ‘It’s a pretty generic setup and I try to keep it that way – as simple as possible,’ Hawkins says.
He makes good use of the phase alignment tool which delivers more presence to percussive sound for the band: ‘It works brilliantly as I have multiple mic sources all over the stage so the tool works perfectly for getting the sound tight. Getting the mics in phase always sounds better – and people comment on the improved sound quality.
‘The console has been first-class, I’ve never had a problem. I also work in the studio a lot and have an analogue desk there but this desk has given the analogue board a serious run for its money in quality terms,’ he concludes.
More: www.midasconsoles.com
