RME has announced the 12Mic-D digitally controlled 12-channel microphone preamplifier with high-resolution A/D conversion, and Madi, Adat and Dante network connectivity.
The new 12Mic-D version follows the 12Mic with AVB technology introduced in 2020, recognising the demand from users wanting to integrate the 12Mic into existing Dante systems. By including Audinate’s Dante IP Core on a custom RME FPGA platform, RME has delivered a flexible solution that approaches universal audio networking.
Visually, the 12Mic-D is almost identical to the 12Mic (with 128 AVB channels), which is also still available. Both units have 12 analogue XLR inputs (four of which are XLR/TRS combo jacks featuring switchable Hi-Z) with up to 75dB gain and a signal-to-noise ratio of over 120dB(A) after AD conversion. The front panel display allows users to check and configure these 12 channels directly on the unit, both individually and in groups.
In addition to Dante, the 12Mic-D has two separate Madi connections – with coaxial built into the device as standard, and optical Madi available via an optional SFP module – along with three Adat outputs and a headphone jack. With the help of a routing matrix, any of the 12Mic-D’s 204 input channels can be individually routed to any of the 218 output channels.
When connected to a Dante network, a combination of both analogue and digital channels (such as connected Madi devices) can be transmitted to the network if required. In return, the 12Mic can receive up to 64 audio channels from the Dante network, which in turn can be forwarded to the headphones, Adat, and two Madi connections as required.
Full control of the device is also offered via the RME web remote, browser-based remote control software that is accessible via the existing network connection or USB. This includes gain groups, preset management, channel names, firmware updates, power supply monitoring and many other features.
RME says that, during product development, special attention was paid to the requirements for live use: two RJ-45 amplified network ports (with additional locking) enable reliable and redundant transmission of 64 input and output channels, ensuring flawless compatibility with existing network infrastructures.
The dual power supplies are also fully redundant (100-240V AC, 12V DC), while simultaneously providing an option for battery-powered mobile recording. And with its lockable front panel, plus the option to switch off all light elements (Dark Mode), the fan-less RME 12Mic-D reliably meets professional demands both on stage and in the studio.
UK availability of the 12Mic-D is via Synthax UK.
