The new console’s worksurface is constructed from anodised aluminium, overlaid with polycarbonate panels to provide clear and concise user feedback. A large 15-inch, touch-sensitive screen provides both information and fast control of all the main parameters. The control surface features 37 100mm touch-sensitive faders, providing fast access to the console’s large number of channels, which include 96 with full processing, 12 of which can be configured as full Flexi Channels – and outputs that can be assigned across the surface. All inputs have dual mono inputs for fast ‘Main’ and ‘Alt’ channel switching.

Smart Key Macros are provided, accessed via four layers of ten backlit keys. These can be programmed to control any functions, simple or complex, that can then be recalled at the push of a button.

Local I/O, positioned on the rear of the console, comprises eight mic inputs, eight line outputs, eight mono AES I/O, two Madi connections with redundant cabling connections, 16 GPI and GPO connections (with the option to expand to 32 GPI and GPO), Midi, plus Word Clock, Madi and Optocore for synchronisation.

Standard input channel processing includes channel delay; single and multichannel presets; HPF and LPF with an industry leading 24dB/octave; four bands of parametric EQ with band curve selection; compressor and date; dual insert points and access to all busing. Standard output channel processing includes output delay; eight bands of parametric EQ (previously only seen on the SD7); compressor and gate; dual insert points; groups with buss to bus routing, plus Auxes that have direct talk to output with dim control.

Dynamic EQ provides both expansion and compression on all four bands of parametric EQ. These processors can be assigned to any of the input or output channels, whether stereo or LCR, with ten units being allocated as required. In addition, any input or output channel can be mastered via the multi-band compressors – again, ten units can be allocated.

Forty-eight assignable buses can be configured as mono or stereo groups, or auxiliary buses. There is also an additional stereo or LCR Master buss and 16x12 output matrix, highlighting the SD range’s routing flexibility. Meanwhile, dual solo buses give monitor engineers accurate monitoring security.

Insertable FX and graphic EQs can be routed, controlled and snapshot recalled for the most complex show design. The 24 graphics can easily be inserted and controlled from the worksurface and 10 Stealth stereo FX units can be configured at any time from the 33 Stealth FX. Integration with Waves plug-ins offers yet more processing options.

DiGiCo provides complete control of plug-in parameters, as well as recall of snapshots and single loading/saving, directly from the worksurface. 16 stereo Sound Grid racks can be inserted, with up to eight plug-ins in each rack.

As with  all DiGiCo consoles, the SD Ten software runs on a standard PC or Intel-based Macintosh for offline preparation and remote control of the console. One SD Ten can also be linked to another, using a standard Cat5 crossover cable, providing 74 faders for control. In this configuration, the audio engine of the first SD Ten provides complete redundancy for the other.

Expansion options:

• Second-generation Optocore optic connections. Just like the SD7, an SD Ten can connect to up to 14 SD or D-Rack IDs with 448 audio channels on a single redundant optical loop.
• Five redundant consoles can share all inputs from the stage racks, and outputs on the system can be assigned in blocks of eight. For example, a single rack can provide 56 inputs to both consoles with 40 of the outputs assigned to the monitor console and 16 used by Front of House for feeds back to the stage.
• One console can even directly route outputs to another console on the loop, for convenient tie lines.
• D-Rack, SD-Rack, SD7 and SD Ten can operate together at 96kHz. The audio advantage here is clear, but also means just over 1ms of latency when routing a stage input through a channel and buss, with processing back to a stage output.
• Sound Grid Waves can be added, allowing full connection and control of a Waves Sound Grid, providing low latency plugins on a floating point digital console.
• Connectivity to the outside world isn’t restricted to just the D-Rack and SD-Rack. The SD Ten comes with different I/O options because tailored DiGiCo systems and complex set ups are completely user configurable.

The SD Ten also features dual hot swap, switch mode, PSUs as standard.

More: www.digico.org